COMMENT ⊗   VALID 00003 PAGES
C REC  PAGE   DESCRIPTION
C00001 00001
C00002 00002	. DEVICE XGP    
C00004 00003	.PAGE←171
C00007 ENDMK
C⊗;
. DEVICE XGP    
.spacing 20*5 mills;
.EVERY HEADING(,{PAGE},)
.AREA TEXT LINES 4 TO 40
.FONT 1 "MBIG[HHA,LCS]"
.font 2 "BMETI[HHA,LCS]"
.font 4 "BMUS[HHA,LCS]"
.!XGPLFTMAR←400
.PORTION MAIN;
.PLACE TEXT;
.PAGE FRAME 138 WIDE 106 HIGH;
.COMPACT
.COUNT PAGE FROM 1 TO 999;
.<< THICKEN UNDERLINE >>
.AT "↓_" ⊂ SNEAK(BEWARE("'177'1'46"))⊃;
.AT "_↓" ⊂ SNEAK(BEWARE("'177'1'51'4'4"))⊃;
.TABS 60;
.TURN ON "\→%↓_↑↓[&]","α"
.at "!!" txt ";"	⊂
.("↑[%3"&"txt"[1]&"]&↓["&"txt"[2]&"]%*");
.COMMENT ("txt"[1]&"↑[%3"&"txt"[2]&"]&↓["&"txt"[3]&"]%*");
.  ⊃
.PAGE←171
.NEXT PAGE
.CENTER
↓_ Index _↓
.SKIP 1
.nofill indent 0
alternating progressions\71
ambiguity\47, 52, 69, 129, 156-157, 162, 
\165, 168-169
augmented sixth\49-51, 72, 78, 103, 165

Bach, C.P.E.\32
Bach, J.S.\23-25, 33, 35-36, 42, 55, 63, 66-68
Beethoven\6, 19, 44, 81-86
Berlioz\77-78
bracket\34
Brahms\21

Chopin\43, 52, 63, 72-74
chromaticism\29, 31, 54, 74, 151, 154-155
circle of fifths\60-62
contextual\2, 124, 150-151, 162-164, 169-170
contrapuntal chords\6, 14, 22, 50, 75, 127, 144
control tonics\66, 69, 73, 77, 86, 91, 94, 104, 
\116-117

Debussy\162
diagram\34, 69
diatonic\8, 15, 151
diminished chords\17-18, 32, 52, 62, 75-76, 118
Dvorak\79-81

flatted seventh\35, 52
functions\4-5, 13, 15

Haydn\32

inversions of chords\35

leading tone\9, 33, 38, 40
levels\5, 6, 24-27, 34, 44, 56-63, 68-69, 
\72-73, 100-101
Liszt\63

.NEXT PAGE
major mode\10
Milhaud, Darius\151
minor mode\8, 11, 15, 40, 47-48, 103
modal\1, 41, 43
modulation\2-3,56, 68-69, 73, 88, 104-105
monotonality\2
Mozart\12, 22, 31-32, 46, 63-65, 70, 88-99, 
\107-127, 130
Musorgsky\152

Neapolitan chord\8

parallelism\62, 163
passing chords\6, 118
pivot chords\34, 37, 47-48, 63, 65, 67
plagal cadence\18

roots\13

scales\8, 103
Schenker, Heinrich\2
Schoenberg\2, 164
Schubert\25-27, 45, 51-52, 75-77, 99-101
Sessions, Roger\3, 16
six-four chords\6, 13-15, 18-19, 23
sonata form\70, 88-94, 107
Stravinsky\2
subdominant\21, 51-52, 168
substitute functions\15-23, 26, 29, 35, 62, 72, 
\85, 103, 118, 121

tonality\5, 8
tonic groups\46
tonic guide tones\57-58, 73, 104
tonicization\3, 31-38, 56
transition sections\96-98
tritone\10-11, 32, 73, 78-79, 143, 169

Wagner\3, 129, 157
wavy line\37, 65
whole-tone\155, 165